Here we delve into another book, with another interesting style of writing, and a bizarre physical placement of words on the page. Claudia Rankine, typically a poet, writes Don’t Let Me Be Lonely almost in a stream of consciousness. Unlike Joseph Conrad’s Heart of Darkness, this too is not a story that flows as well as some others, however it is a narrative of a single person’s life, in this case, Rankine’s. I appreciate that this is typically how many of us would write about our own experiences. Today’s society, being the A.D.D. culture that we have become, is anxious for the answer and only discusses a certain topic for a limited amount of time before losing interest and jumping to a new topic.
Although the book is written about Rankine’s reactions to various different experiences, it is hard to tell how much time has elapsed between each new section. Perhaps the pictures of the static TV’s and the addition of blank pages between sections indicate a new chapter in the author’s own life. However, I feel that these chapters are obviously very relatable and many of us can remember our own experiences at the time. Perhaps this is how we reflect on our past, where we only have snippets and a few short moments of memory with static in between.
Death is a prominent theme throughout, although it is touched on only briefly at each mention. It is the most common thread throughout the text. Rankine progresses from not knowing anyone who has passed away, to not being able to attend her own mother’s funeral. Her detachment is present in various sections. Usually death is something someone will spend a long time discussing, an emotion-filled process. I do not think because these segments were not drawn out indicates that she has an emotional void or lacks feeling, but possibly, they just did not have a monumental affect on her. The use of other national events, that most everyone is aware of, are devoted a longer portion of the book and are discussed more thoroughly or with more facts.
The imagery used throughout the book, not only the pictures but also the TV’s from section to section and physical leaving of blank spaces, leaves everything up to interpretation. I feel that it gives one the opportunity to present one’s own ideas, almost as if that blank space is an area for the reader to include his memories on the subject.
As we have discussed with many of the other novels, America has been mostly viewed in a negative light. Here we see patriotism coupled with hatred for those who “appear” to be terrorists. We have the cops sodomizing a man and then President Clinton pushing for the allowance of generic HIV/AIDS medicine in Africa. What does this say about our melting pot culture?
With regard to the title, Don’t Let Me Be Lonely, I feel that Rankine chose this title because even though we are surrounded by hundreds of people daily, and often the same people at that, we still have this unimaginable fear of being alone, or greater yet, dying alone. Since death is mentioned several times and vaguely discussed, perhaps the author is showing us that we have nothing to fear and that it is simply the unavoidable.
I feel as though this “American lyric” will be one, if not the most, discussed books that we have read. It can be interpreted in numerous ways and most likely will be the most interesting to debate with many counter-interpretations.
I thought this was a very interesting collection of thoughts, ideas, and experiences. It literally is Rankine's personal experiences and the actual thoughts that quickly go through her mind during these experiences. I felt like although there was not much description or explanation behind the thoughts, they were still strong. It is easy to relate to Rankine's thought process because all human's have thoughts and reactions to their experiences.
ReplyDeleteThe content of the story was very deep. Death and life and everything in between the two are very poignant topics. Simply put I would say that Rankine was trying to convey to readers that death is unavoidable, it is coming and we should not fear it. I liked her description of aging and how we as a society try to paralyze it. Although I definitely did not agree with all of her views, I thought it was an interesting approach to conveying a message.
Danielle, I agree with your interpretation of Rankie's expression towards the events that were presented. I feel that they are not a product of emotional bluntness. Her interpretations of these events depend on how she experienced them or if she did not experience them. Events that Rankie directly experienced would have a more profound effect on her than one she did not experience. Also, I feel that she is trying to tell the reader that death is unavoidable, and people should stop trying to run away from it. Rather, they should cherish what life they have.
ReplyDeleteThe different styles of books that we've read so far and this ever changing notion of "ethnic lit" has led me to think a great deal about point of view. I often assume, especially in works that are written in a non-narrative style, that extreme authenticity in writing means the writer is telling their own story. As a reader I know it is false to infer this without any basis, yet as I proceed through a work such as Rankine's I envision the narrator to be the author. There is an "emotional bluntness" as mentioned above to this lyrical account. However, there is such relateable authenticity that this bluntness seemed to me to be both realistic and expected from the voice of the storyteller.
ReplyDeleteYet, a big part of understanding this story I feel has to do with the historical context. Obviously this book would not have caused the same reaction within me if I had not been in the United States and remembered a good majority of the events she recounted. Does this basic fact make this story "ethnic lit." Maybe. I do feel that people from outside of the U.S. would not have had as strong of a connection with these stories, or have an understanding of the emotions which many Americans (the speaker included) had as a result of these actions. While I believe that "ethnic lit" is an arbitrary term used to provide additional, but not substantial, background and justification to analyzing a book, the fact of the matter is that "Don't Let Me Be Lonely" embodies many of the qualities we established for "ethnic lit"--mainly that it tells the story not just of a person, but of a nation during a specific period. While we can categorize this fact however we want, the historical lyric aspect of this work added an understandable component which I connected with--in many ways more than I connected with the story thread of the lonely and downtrodden speaker.
Danielle, your characterization of this text's jumpy, detached mode of encountering what Jennifer calls "death and life and everything in between" is very incisive. I agree that the reader is asked to have a direct emotional and imaginative response in all that white space. I think that Megan's distinction between the uses (and non-uses) of the designation "ethnic lit" (which is, after all, more of a marketing tool than anything!) is also useful.
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